![]() At a jam session, Kielbania recruited a flute player named John Payne. The band consisted of Morrison, bassist Tom Kielbania, and drummer Joey Bebo. ![]() Sheldon, the 17-year-old guitarist, had been ditched by this point. The club mostly hosted jazz, but Morrison’s poet rock fit right in. (Today, it’s a stack of rehearsal studios beneath a pizza joint.) Hieroglyphs and Egyptian motifs decorated the walls. Those gigs took place at a subterranean nightclub called the Catacombs, at 1120 Boylston Street in the Fenway, two floors below a pool parlor. He booked several shows under the name “The Van Morrison Controversy” to hone the new material. ![]() By late August 1968, Morrison had already impressed Merenstein and experienced the prophetic dream that dictated his new sound. ![]()
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